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Photoshop Workbench 311: Edgy Photo Composite from Start to Finish

In today’s Workbench, we have an ambitious goal — to create an edgy composite from start to finish. We’ll be using two photos submitted by Phil Frigon. The first is a grungy warehouse background captured with a 16mm lens and the second is a photo of his grandsons captured in a studio with a 24mm lens. The process of extraction will move along quickly thanks to the manner in which Phil captured his grandsons. First, he photographed them in front of a white unlit background that appears as light grey. This is the ideal backdrop for extraction. Second, Phil used rim light to help separate the subjects from the background. Our goal is to bring these two images together into one cohesive, edgy composite. Since this process can take awhile, I may move along a bit more quickly than usual.

Click here to purchase the complete Dramatic Portrait Compositing video tutorial series for $24.95.

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7 comments on “Photoshop Workbench 311: Edgy Photo Composite from Start to Finish”

  1. BJTX says:
    Thursday, December 22, 2011 at 10:36 am

    Excellent workbench – especially appreciate your methods of extraction & dealing with jpeg issues.
    Thanks

  2. Steve says:
    Thursday, December 22, 2011 at 1:32 pm

    Mark, this is an awesome tutorial. Thank you for taking the time to explain many cool details of composite editing. I learn so much.

  3. Fran says:
    Friday, December 23, 2011 at 9:37 am

    Wow. Thanks for this great tutorial. Would love to have you do one just like this but with HDR toning background.

  4. Ned Sloane says:
    Sunday, January 1, 2012 at 12:51 pm

    Hi, Mark – great tutorial on better edges. I hope you keep it on your site for a long time – I’ll have to watch it 5 or 6 times over time for it to sink in. I’d like to see a tutorial on advanced flyaway hair selection using a fairly solid
    background for clearest illustrative effect. Thanx so much – Ned

  5. Mark S. Johnson Photography » Blog Archive » Photoshop Workbench 322: Remembering the Glory Days Composite » Mark S. Johnson Photography says:
    Thursday, March 8, 2012 at 12:03 am

    [...] and Beth has already been selected. To learn about the selection-making process, take a peek at Photoshop Workbench 311: Edgy Photo Composite from Start to Finish. It’s also worth noting that in the coming months I’ll be releasing a compositing video [...]

  6. Mark S. Johnson Photography » Blog Archive Removing Fringe using Photoshop's Refine Mask Tool says:
    Thursday, April 19, 2012 at 12:03 am

    [...] Refine Mask dialog. To learn more about making a selection and refining the mask, take a look at Photoshop Workbench 311: Edgy Photo Composite from Start to Finish. I’m also excited to let you know that I’ll be releasing a compositing video tutorial [...]

  7. PUSHPA says:
    Thursday, April 19, 2012 at 5:26 pm

    FABULOUS TUTORIAL OF A VERY DIFFICULT BUT REAL LIFE SITUATION. DO YOU HAVE CS5 PHOTOSHOP COMPANION BOOK?

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