The Photoshop Workbench on DVD - Volume 1

Photoshop Workbench Volume One (Episodes 1 – 200) – DVD VERSION

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To view a list of the complete contents, click here.

Photoshop Workbench Volume One is a two DVD set featuring Episodes 1 – 200 of Mark’s world-renowned Photoshop Workbench series. With a selling price of $79.95, you can add this incredible collection to your educational library at a cost of only 40 cents per Workbench ($79.95 for all 200 episodes).

Representing more than 58 hours of inspirational Photoshop training, these videos illuminate techniques in Photoshop versions CS2, CS3, and CS4. No matter the Photoshop version, Mark’s friendly and conversational approach to teaching invites you to explore a non-destructive editing style that sets your mind at ease and encourages you to use Photoshop in a joyful and imaginative fashion.

Each Workbench is presented in its original quality and size (640 x 480 or 1024 x 768 pixels), and many are Radiant Vista website recordings that are only available on this DVD. The Table of Contents is keyword searchable (Mozilla Firefox and Internet Explorer 8 only) and contains large image thumbnails for easy tutorial recognition. Simply click the title of the Workbench that you wish to view, sit back, and enjoy the learning experience.

Please be aware that this DVD is designed for playback on both Macs and PCs, but is not intended for television viewing.

Click here to read some Frequently Asked Questions about the Photoshop Workbench DVD

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Image for Photoshop Workbench 220: Spirographic Splendor

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Before I choose subject matter for a Workbench, it must meet three criteria:
First, I have to be excited about what I’m teaching. Second, I try to choose subject matter that engages the viewer. And third, it must contain fresh techniques. If I’m really lucky, the subject matter sometimes meets a fourth criteria––it inspires creative thinking. When a Workbench meets all of these criteria, I feel satisfied.

As I was considering topics for today’s Workbench, I decided to explore a subject that is a bit outside my normal realm––creating spirographs. I felt uncertain going into the process, but once I started playing with images, I was blown away by the possibilities. Today’s topic definitely meets my fourth criteria––the more I explored, the more I couldn’t wait to see what shapes and patterns each spirograph would form.

In order to create a successful spirograph, it’s wise to begin with an image of something graphic in nature that can easily be selected. For starters, consider using smoke photographed over a black background, ink photographed in water with a white background, or tree branches silhouetted against a bright sky. Once you become comfortable with the process, the sky’s the limit. If you don’t have images of these subjects, pay a visit to a site such as CGTextures.com or iStockPhoto.com.

Before I begin, I’d like to say thank you to Corey Barker of NAPP for inspiring today’s Workbench.

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Image for Photoshop Workbench 219: Combining Multiple HDR Images to Avoid Haloes and Noise

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I love the gritty, textured feeling of HDR images, but it’s all too easy to take the look a little too far. Clouds and horizons with giant haloes cheapen the look, and noise in areas where you don’t want it is never desirable. In today’s Workbench, I’ll show you how to combine images that have been tonemapped with different settings to achieve a pleasing overall look. I’ll also show you how selective sharpening can really make an HDR pop from the page. If you’re interested in purchasing Photomatix Pro HDR software, be sure to enter the code “MSJPhoto” to receive a 15% discount. Click here to purchase Photomatix Pro.

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Image for Photoshop Workbench 218: Creating A Four-Panel Collage

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Sometimes you find inspiration in the most unlikely places. I was shopping for groceries the other day and I spotted a poster displaying four images and one word that communicated the store’s fundamental philosophy. The simple design and message were beautiful enough to convince me to make them today’s topic. As we build this collage, we’ll get the opportunity to work with smart objects and type in ways that are both unique and highly efficient.

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Image for Photoshop Workbench 217: Creating a Found Object Composite

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Each time I see a well done found object composite, my heart does a little somersault. I define found objects as any objects, such as leaves or butterflies, or textures, such as rust or peeling paint, that you decide to add to your photographic collection for the sake of compositing.

Combining these objects and textures in creative ways can be immensely gratifying––but make no mistake, this is a creative process. Today’s Workbench is as much about creative process and it is about learning techniques. On our journey, we’ll encounter a variety of useful Photoshop techniques, including refining an edge, using the History brush, adding a drop shadow, working with blending modes, and test-driving color options via a clipped Hue/Saturation adjustment layer.

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If you’re seeking a fresh way to present portraits, this simple, yet striking approach may interest you. Begin by capturing two images of the same subject in front of a uniformly colored background with consistent lighting. If you don’t have access to a studio, photograph the subject in front of an uncluttered background that has potential for seamless blending. Capture one image as a full (or almost full) body shot and the other as a close up (head-and-shoulders).

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